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Ripping Thriller Shows How Hell Broke Loose

A review of Stranger Things: The First Shadow by Greg Evans | April 23, 2025

Herding all of it into a smashing piece of entertainment is director Daldry (The Inheritance, Billy Elliot: The Musical) and his co-director and frequent collaborator Justin Martin (Prima Facie), who funnel all the moving parts, colors, smoke, mirrors and monsters into a non-stop thrill ride. Sure, it’s more surface than substance, and its depictions of how we humans long for connection of any sort is sincere if not particularly original. But just try not to be tickled by even the simplest of the show’s trickery, like when a book fallen from a school locker flies right back in. At one point in the play, young, brainwashed Henry, under the villainous Brenner’s sway, can only surrender to the dark magic. I know the feeling.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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