Scratching A 13-Year Itch
It’s not that the musical all goes wrong, exactly. With a cast as good as this one – Robyn Hurder, The Prom‘s Brooks Ashmanskas, Krysta Rodriguez, John Behlmann and the invaluable Kristine Nielsen, just for starters – Smash is thoroughly watchable from start to rather overlong finish. Unlike the series, there isn’t the precipitous drop in quality that so alienated many of the original’s early fans. Instead, Smash The Musical starts just well enough, and stays there.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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