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‘Romeo + Juliet’ review — Kit Connor and Rachel Zegler are star-crossed and starry-eyed

A review of Romeo + Juliet by Gillian Russo | October 24, 2024

The whole thing is undeniably entertaining, but the additions of Antonoff’s songs, Sonya Tayeh’s choreography, and intermittent modern slang don’t serve the play as much as they feel like empty spectacle, inserted out of fear its target audience — short-form TikTok devotees, per the stereotypes of us Gen Z-ers — won’t otherwise stay engaged for 2.5 hours.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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