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September 15, 2016

For a vast and aggressive army of homicidal eye-gougers, the title creatures of Conor McPherson’s “The Birds” are a surprisingly low-key lot. The sounds of beating wings and rasping caws can now and then be heard, accompanied by abstract feathery projections, in the listless production that opened on Thursday night at 59E59 Theaters. But for the most part, you forget that these avian marauders are always hovering with intent to kill. You have to take on faith their status as an imminent and fatal threat to humanity.

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