Latinas Take Cover to Break Free
In scene after scene, Lisa Loomer and Nell Benjamin’s book for the new musical “Real Women Have Curves” is a vast improvement on George LaVoo and Josefina Lopez’s screenplay, which is based on Lopez’s play. Where the 2002 film dawdles, the musical defines and drives with great narrative precision its timely tale of Latina immigrants who make dresses in a Los Angeles shop.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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