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NEW YORK TIMES BigThumbs_UP

April 22, 2014

“Ragtime” has lost weight since it was last on Broadway. The judiciously pared-down production that opened Sunday night at the Neil Simon Theater is a sprinting sylph compared to the opulence-bloated show that went under the same name a decade ago.

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Associated Press
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April 22, 2014

The initial swirling syncopation of sound is impossible to resist. Surely there are not many opening numbers better than the intoxicating first moments of "Ragtime," the stage version of E.L. Doctorow’s best-selling novel. The show’s themes and characters are introduced lickety-split in a thrilling combination of song, story and movement that goes a long way toward explaining what musical theater is all about.

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Usa Today
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April 22, 2014

The musical Ragtime is based on E.L. Doctorow’s sprawling historical novel, which offered food for thought by tracing the dawn of 20th-century American society through real and imagined characters.

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VARIETY BigThumbs_UP

April 22, 2014

No word has been more bandied about in American life the past two years than change. And no show investigates the nuances of that word as it relates to the American Dream — conveying hope, opportunity and success, but also the ugly flipside of pain, division, confusion and violence — more masterfully than "Ragtime." The 1997 musical not only feels trenchant and timely, but its multistrand story is delivered with fresh clarity and emotional immediacy in director-choreographer Marcia Milgrom Dodge’s elegant revival, transferring to Broadway from D.C.’s Kennedy Center, where it originated in April. This is big-brain, bold-strokes musical-theater storytelling at its most vibrant.

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HOLLYWOOD REPORTER BigThumbs_UP

April 22, 2014

Bottom Line: This wonderful musical based on the classic novel by E.L. Doctorow gets a much deserved, stirring revival.

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