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A True Story of Manslaughter Makes a Mawkish Transfer to the Stage

A review of Punch by Robert Hofler | September 29, 2025

To criticize a play that tells this story of transformation is to be a grump. But good intentions aren’t enough to make a good play. The suspense leading up to the first meeting between the parents and Jacob is palpable, and in those early moments, it’s clear that there’s a lot of pent-up emotions ready to erupt at the mere choice of a wrong word, much less a whole question or pointed accusation… The resolution here is much too easy and pat. Maybe that’s the way it transpired in real life, but the stage is another world.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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