Ayo Edebiri and Don Cheadle Try to Solve a Precise but Passionless Proof
Proof is so structurally sound that any production can have an impact, which is both a gift in theory and a potential liability in practice. Both sides of that equation are why Thomas Kail’s current Broadway revival at the Booth Theatre is generally effective, but rarely as emotionally charged as it should be. It is rock-solid in its competence, which is ideal for the newcomers in attendance to see stars Ayo Edebiri and Don Cheadle up close. But those who know how thrilling this play could be will find themselves wishing for Kail to have done anything to test the play’s mathematical precision.
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One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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