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September 1, 2011

She never sings these particular lyrics, as it happens. But Audra McDonald has every right to say, “Bess, you is my woman now.” That assertion is implicit in every aspect of her performance in “The Gershwins’ Porgy and Bess,” which opened on Wednesday night at the American Repertory Theater here, and it is made with a confidence and conviction that is otherwise lacking in this anxious and confused production.

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