Photo from the show Pink border doodle

Pirates! The Penzance Musical Broadway Review

A review of Pirates! The Penzance Musical by Jonathan Mandell | April 24, 2025

The most thrilling performance for me is actually the one that Nicholas Barasch gives as Frederic, the juvenile/romantic lead, a character who sets off the deliberately silly (and mostly unchanged) plot. Having reached the age of 21, Frederic is ready to venture out into the world, leaving behind the band of tenderhearted, orphaned pirates to whom he was apprenticed as a child by mistake; his nurse Ruth misheard her master’s instructions to apprentice the boy to a pilot. Barasch thoroughly fulfills his early promise from the 2016 Broadway production of “She Loves Me” when at age 17, he portrayed the shop’s bike messenger who dreams of being a clerk. Here he is dashing and comic in equal and appropriate measure, with a swoon-worthy voice. He counts as a discovery, but one we could have seen as inevitable.

Keep Reading

Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

Read More

Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

Read More