David Hyde Pierce Is The Very Model Of A Musical-Comedy Charmer
If the cast seems instructed to play just a tad broadly, and hit the jokes a touch to hard, and the second act runs a bit too long, well, the overzealousness does little to dampen the overall joyous vibe. And just when things might start to lag, Pierce arrives, nailing every pun, every aside to the audience, every double-take and every droll observation. He’s a treasure.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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