Re-Encountering Liberation on Broadway
Both times I’ve seen the play—Off Broadway this spring, now returning in a larger space on Broadway—I’ve felt unprepared for the emotional wallop it lands, the way that Wohl’s work becomes cosmically immense without leaving that gym basement. I think it gets there by staying so focused on the quietly radical thing these women are doing with each other, and which Wohl is making the rest of the audience engage in. Maybe you should be scared, because listening could change you too.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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