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October 17, 2014

What’s in the center of Mark Dendy’s Labyrinth? Maybe it’s the man dressed as a mechanical bull. Maybe it’s the “dea ex machina” in the see-through raincoat? Maybe it’s Mr. Dendy himself, sorting through decades of anxiety and injury. Mr. Dendy, 53, a Broadway choreographer who also creates and performs original work, structures this autobiographical piece around the myth of Theseus. This Theseus, played by Mr. Dendy, is on his way to create a new dance for the Rockettes when he has a psychotic break in the middle of Times Square. This seems like a sensible response to so many flashing lights and furry characters, but Theseus winds up on the psych ward, trying to navigate the labyrinth of his own whirling mind. Staged in the Abrons Arts Center’s grim underground theater (maybe Daedalus could do an upgrade?), Labyrinth combines Mr. Dendy’s confessional speeches with dance, video and Heather Christian’s feisty and imaginative songs. A dead transgender sex worker, Princess Pawnie Ariadne (also played by Mr. Dendy), shows up as a coke-addled spirit guide, but the real animating forces are Carl Jung, Joseph Campbell and the kind of performance work Mr. Dendy first encountered in the East Village 30 years ago. “Telling personal stories and dancing about them in public is so ’80s,” Stephen Donovan sneers, as Theseus’ shadow self.

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