‘The Crucible’ Gets a Fiery #MeToo Rewrite
A new reading of The Crucible becomes both scary and liberating. Just as John Proctor is shown to be not the hero of Miller’s play (but rather, for Shelby, the much be-knighted Abigail Williams), so Mr. Smith is shown to be far from the supportive teacher we and the girls may have thought. From Lee’s menace and temper to shoulder-rubbing memories of Ivy’s “gross” dad, the evidence of patriarchal abuses in the everyday fabric of their lives become apparent to the young women.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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