‘John Proctor is the Villain’ with Sadie Sink is lively if predictable drama
I wish “John Proctor” made its very fair point about girls forging their own narratives with more ambivalence and less certitude, especially in its less than credible last few minutes, which you could subtitle “Abigail’s revenge,” or even that it gave Miller some consideration of how things have changed over time, not just from the witch trials to the 1950s but from then to now. But then when you’re all about making sure folks now see an old hero as a new villain, that does not serve your purpose.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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