Photo from the show Pink border doodle

A Rattling JOB On Broadway — Review

A review of JOB by Nolan Boggess | July 30, 2024

Whether or not the audience will be up to the challenge is a larger question. While the tension remains when the gun goes away, the show slowly oozes out information like an IV drip. At times, the show’s desire to remain obtuse gets in its own way. But, unlike its other less-successful, black-mirroresque peers, I promise Job’s final rattling, supreme reveal is worth it.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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