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Review: A Richly Deserved, Long-Belated Broadway Bow for Paula Vogel’s How I Learned to Drive

A review of How I Learned to Drive by David Gordon | April 19, 2022

Time has intensified every aspect. It has allowed Vogel’s script to become even more of a marvel as it searches for compassion and humor in the most unlikely of places. It has given original director Mark Brokaw the chance to soup up an engine that he built for a small theater into a much larger one, while still retaining the horsepower. And it gives us the opportunity to realize the full breadth of talent within Parker and Morse, who are both giving career-best performances here. If you’re a believer, as I am, that all things happen when they’re supposed to, may this long-belated Broadway premiere be Vogel’s silver lining. The trip might have taken a while, but it was well worth the wait.

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In ‘American Buffalo’ Nostalgia Gets in the Way of Progress

Ran Xia | April 14, 2022

Somewhere in America older men impart wisdom to the younger between puffs of smoke and swigs of Coke. Somewhere in America, life is a powder keg with a short fuse, and morality is but an afterthought, as is breakfast. Somewhere in America, everything hinges on a coin. At the center of American Buffalo, David Mamet’s […]

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A Diluted ‘Little Prince’ Leads to Disenchantment

Ran Xia | April 11, 2022

There was a child seated behind me at the Broadway Theatre the evening I attended The Little Prince. The boy was roughly the age I was when I first learned of Antoine de Saint-Exupéry’s exceedingly charming, poignant, heartbreaking tale. The child was getting excited, asking questions, enthralled by the pretty rainbow lights filling the space, […]

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