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‘Harmony’ review — narrative dissonance in Barry Manilow-composed musical

A review of Harmony by Amelia Merrill | November 14, 2023

As the Comedian Harmonists, a ragtag group of male singers in Weimar Germany, gradually find their footing, so does the show: The songs grow more polished, the choreography by director Warren Carlyle more precise, the performances more distinguishable. For a show that debuted over 25 years ago, however, how have subsequent productions, including last year’s Off-Broadway run with the National Yiddish Theatre Folksbiene, not addressed such structural issues?

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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