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May 2, 2003

YOU can tear down the black crepe, boys. Take the hearse back to the garage, and start popping Champagne corks. Momma’s pulled it off, after all — big time. Playing a role that few people thought would ever fit her and shadowed by vultures predicting disaster, Bernadette Peters delivered the surprise coup of many a Broadway season in the revival of ”Gypsy” that opened last night at the Shubert Theater.

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NEW YORK TIMES BigThumbs_UP

April 22, 2014

Ms. LuPone is truly focused, she’s a laser, she incinerates. Especially when she’s playing someone as dangerously obsessed as Momma Rose in the wallop-packing revival. A great Momma Rose is usually enough for a thoroughly compelling Gypsy. But this one has so much more.

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Newsday
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April 22, 2014

Much the same production, directed again by author Arthur Laurents, opened last night at the St. James Theatre. Gypsy – with its wrenching and brilliant lyrics by Stephen Sondheim and its brassy-bravura music by Jule Styne – belongs on Broadway for as long as people need musicals.

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Usa Today
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April 22, 2014

This Gypsy is as serious as a heart attack, and about as subtle. It’s also campy and clamorous, by turns brighter and less buoyant than the version Laurents helmed off-Broadway last summer with the same principal actors.

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VARIETY BigThumbs_UP

April 22, 2014

This is not your everyday canned tuner; in this production it’s an incisively acted musical play with as much emotional resonance as showbiz pizzazz.

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New York Daily News
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April 22, 2014

Has the stuff Broadway dreams are made of: an electrifying leading lady and bangup supporting cast (kids included), making good on the show’s implicit vow to entertain you and make you smile.

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NEW YORK POST

April 22, 2014

"Though this essentially modest production has the lingering scent of a summer stockpot, its virtues are such that few will care.

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April 22, 2014

Patti LuPone gives a Tony-worthy performance in this splendid revival of the classic 1959 musical about a monstrous stage mother.

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April 22, 2014

The intensity of LuPone’s electrifying portrayal lights up the theater like a mega-watt marquee. Long may she blaze.

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New York Sun

April 22, 2014

In one of the more puzzling and dispiriting developments to reach Broadway in some time, Arthur Laurents’s staging of the acid-etched 1959 valentine to show business has managed to shed nearly everything that made its previous iteration — a keenly anticipated three-week run last summer at City Center — so cherished.

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