READ THE REVIEWS:

December 20, 2024

Most important, [Wolfe] has given us a way of seeing a star who had to be seen in this role. As “Gypsy” suggests, and McDonald keeps proving, a pioneer woman needs a frontier.

READ THE REVIEW

December 20, 2024

McDonald’s monumental performance and Wolfe’s intelligent staging make this an essential entry into the revival canon, and a production not to be missed.

READ THE REVIEW

December 20, 2024

The whole production is a rare privilege; you either got it or you ain’t — and this one’s got it.

READ THE REVIEW

December 20, 2024

Wolfe’s Gypsy may flicker, but McDonald glows like a furnace at its center.

READ THE REVIEW

December 19, 2024

The latest revival, shepherded by legendary director and playwright George C. Wolfe and starring Tony Award winner Audra McDonald, is an electric and truly unique production that will undoubtedly become a crowning jewel in the canon of “Gypsy.”

READ THE REVIEW

December 20, 2024

With stop-start direction from George C. Wolfe, the sixth Broadway production of Jule Styne, Stephen Sondheim and Arthur Laurents’ musical runs out of gas early.

READ THE REVIEW
Entertainment Weekly
BigThumbs_UP

Kathryn
Vandervalk

December 20, 2024

She doesn’t merely play Rose; she embodies her. The vocals — which are, of course, rich and operatic and often jaw-dropping — feel utterly seamless with Rose’s way of expressing herself.

READ THE REVIEW

December 20, 2024

How is Audra as Rose? She’s a revelation.

READ THE REVIEW

December 19, 2024

McDonald boldly pushes the performance almost into the grotesque as she seems to become Baby June, Louise and Rose all rolled into one. It’s a startling display of a broken character flailing herself raw, rightly earning the star a rapturous standing ovation.

READ THE REVIEW
Usa Today
BigThumbs_UP

Patrick
Ryan

December 20, 2024

“Gypsy,” which opened Dec. 19 at the newly restored Majestic Theatre, is the smartest kind of revival: one that excavates profound new layers of a classic piece, without plundering the musical of what makes it so fundamentally great.

READ THE REVIEW
Observer
BigThumbs_UP

David
Cote

December 20, 2024

Audra McDonald is the first Black actress to play Madame Rose on Broadway, and she and director George C. Wolfe deliver what may be the most heartstopping ‘Gypsy’ you’ll ever see.

READ THE REVIEW
New York Stage Review
BigThumbs_UP

Melissa Rose
Bernardo

December 19, 2024

The climactic “Rose’s Turn,” where she’s at her most vulnerable, is full of highs and lows both musical and emotional; never has Merman’s comparison of the song to an aria been more apt.

READ THE REVIEW
The Guardian
BigThumbs_UP

Adrian
Horton

December 20, 2024

No matter your defenses — the skepticism of another Broadway revival, our collective inurement to the pursuit of attention, up to 70 years of experience with this particular show – McDonald makes it sting, and makes this evergreen show business tragedy stick.

READ THE REVIEW
New York Theatre Guide
BigThumbs_UP

Austin
Fimmano

December 20, 2024

McDonald throws her entire being into “Rose’s Turn,” building and building until you begin to marvel that you are lucky enough to witness such a performance. And when Rose finishes her song, soaking in the adoration from the audience that is both imaginary and also very real, there is no other choice but to give her a standing ovation.

READ THE REVIEW
New York Theater
BigThumbs_UP

Jonathan
Mandell

December 19, 2024

With less brass and more heart, Audra McDonald’s distinctive portrayal of Madam Rose, the mother of all stage mothers, is the reason to see this sixth Broadway production of the 1959 musical.

READ THE REVIEW
New York Stage Review
BigThumbs_UP

Steven
Suskin

December 19, 2024

If there are minor lapses around the fringes of this production, no matter. First and foremost, this is Audra’s Gypsy. Audra is magnificent, everything’s coming up roses.

READ THE REVIEW