Photo from the show Pink border doodle

George Clooney’s Broadway debut makes for a good-ish night

A review of Good Night, and Good Luck by Diane Snyder | April 4, 2025

But Clooney’s performance is muted. His small gestures – a drop of the head, a tormented facial expression – would play better on camera than in the vast Winter Garden Theatre. Established stage actors, including Paul Gross as network honcho William Paley, Glenn Fleshler as Murrow’s colleague Fred Friendly and Clark Gregg as newscaster Don Hollenbeck, a man defeated by persistent red-baiting attacks, fill out the strong supporting cast.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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