


Glengarry Glen Ross Broadway Revival Never Quite Closes the Deal
What’s missing from this revival of Glengarry Glen Ross is that sense of knife-edge despair that might have made the play seem as harrowing as it is darkly funny. That probably won’t matter to the theatergoers paying top dollar to see their favorite television and stand-up comedy stars in person. For some of them, this may be their first encounter with this classic play, and they could do worse. But this new Glengarry never quite makes a successful pitch for its bill of goods.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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