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Review: Is She the Greatest Star? Beanie Feldstein Leads Funny Girl Back to Broadway

A review of Funny Girl by Hayley Levitt | April 24, 2022

So here we finally are. In the year of our lord 2022, a revival of Funny Girl has opened on Broadway at the August Wilson Theatre (on Streisand’s 80th birthday no less), with spunky, affable, girl-next-door Beanie Feldstein plucked by director Michael Mayer to attempt the death-defying stunt of convincingly embodying “the greatest star.” Now for everyone’s burning question: Is it legendary or bone-crushing? The answer, in short, is neither — a dissatisfying conclusion for those who have eagerly anticipated either fireworks or flames. But perhaps knowing that Funny Girl is capable of being middling with a few precious high points could finally lift the veil of mythology from this untouchable property.

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The “Hangmen” Martin McDonagh Wrote Lack Accountability, but Should the Play Get Away with the Same?

Bedatri D.Choudhury | April 21, 2022

Hangmen, by Martin McDonagh and directed by Matthew Dunster begins on the day the Murder (Abolition of Death Penalty) Act was passed in England in 1965. Harry (David Threlfall), a former hangman who runs a pub in Northern England, is suddenly sought after by the press who want to know his thoughts on the historic […]

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‘for colored girls’ Is a Timeless Movement in Compassion

Bedatri D.Choudhury | April 20, 2022

After playwright Ntozake Shange’s death in 2018, her sister—the playwright Ifa Bayeza—said, “I don’t think there’s a day on the planet when there’s not a young woman who discovers herself through the words of my sister.” As I watched the revival of Shange’s “choreopoem” for colored girls who have considered suicide / when the rainbow […]

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