‘Funny Girl’ review — Beanie Feldstein-led revival is a comedy promise unfulfilled
In the end, Broadway’s new Funny Girl feels like a musical comedy promise left unfulfilled. We’re told more than once that Fanny is hilarious and one-of-a-kind, but proof of that side-splitting singularity doesn’t materialize. So you long for something quirkier, zanier, more out-there and surprising. In short: Girl, show me the funny.
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The “Hangmen” Martin McDonagh Wrote Lack Accountability, but Should the Play Get Away with the Same?
Hangmen, by Martin McDonagh and directed by Matthew Dunster begins on the day the Murder (Abolition of Death Penalty) Act was passed in England in 1965. Harry (David Threlfall), a former hangman who runs a pub in Northern England, is suddenly sought after by the press who want to know his thoughts on the historic […]
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‘for colored girls’ Is a Timeless Movement in Compassion
After playwright Ntozake Shange’s death in 2018, her sister—the playwright Ifa Bayeza—said, “I don’t think there’s a day on the planet when there’s not a young woman who discovers herself through the words of my sister.” As I watched the revival of Shange’s “choreopoem” for colored girls who have considered suicide / when the rainbow […]
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