‘Floyd Collins’ Heralds Jeremy Jordan’s Arrival as One of Broadway’s Leading Men of Real Substance
The revelation here, though, is Mr. Jordan’s performance. All youthful, folksy vigor at first, the actor — who spends much of his time on stage seated, simulating the condition faced by Collins, whose leg was pinned under a rock — wrenchingly evokes both Floyd’s physical deterioration and an almost defiant spiritual endurance.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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