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February 27, 2004

THE most animated presence in the prim, pretty new production of ”Fiddler on the Roof,” which opened last night at the Minskoff Theater, may well be its title character. No, not the fiddler. The roof. For David Leveaux’s handsomely mounted, antiseptically acted revival of this beloved folk musical, which stars a heartbreakingly uneasy Alfred Molina, the designer Tom Pye has created what looks like a free-floating roof to hover over the set. An attractively weather-worn piece of architecture, this roof moves in mysterious ways, ascending and descending throughout the evening, sometimes to distinguish between interior and exterior scenes, sometimes for no obvious reason. It has a willful personality all its own.

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