‘Fat Ham’ Review: James Ijames’ Pulitzer-Winning ‘Hamlet’ Riff Is a Broadway Feast
But this is also a classic cookout, where bloodspill is generally limited to the slaughtered hog on the grill. Not to mention that “Fat Ham” is a total gas — the funniest and most invigorating new show on Broadway, where the acclaimed Public Theater production, co-produced with National Black Theatre, has opened after an Off Broadway run last year. Winner of the 2022 Pulitzer Prize, “Fat Ham” recasts its source material to imagine what Shakespeare did not — how people might overcome circumstances, expectations and their own demons to forge new paths through life.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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