Rose Byrne is utterly delightful in Noël Coward comedy revival
Rose Byrne and stage veteran Kelli O’Hara…
The two are stars of elastic, compulsively watchable talent, and the unexpectedness of their pairing only serves their dynamic in this expert staging of Coward’s play, as their characters goad each other’s worst impulses on until they come into conflict with their own. Their performances work – brilliantly – in the converse, with Byrne’s knack for bawdiness and O’Hara’s born gentility swirling around to intoxicating effect.
Keep Reading
Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
Read More
Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
Read More





