Photo from the show Pink border doodle

‘Chess,’ Theater’s Most Notorious Strange Beast, Finally Returns

A review of Chess by Tim Teeman | November 16, 2025

Big numbers and baffling story almost spent, Chess leans into the possibility that nuclear war is extremely nigh, and the outcome of a final chess match could kill us all. There is even more personal and political plot within wailed lyrics, a surprise ending that is not only no surprise but also not the emotional wallop the show intends, and songs that make head-scratching sense. But Chess doesn’t care. It’s here to pulverize you with high-stakes passion, possible global apocalypse, and blazing over-emotion. It is, like many spectacles, good, bad, needily insistent, and unapologetically exhausting. As soon as you buy your ticket, it’s checkmate before you’ve even taken your seat.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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