Review: 1776 Returns to Broadway in a Terminally Woke Revival That Misses the Point
But this new Broadway mounting (which originated last summer at American Repertory Theatre and will embark on a national tour next spring) wants to have it both ways — they’re simultaneously hoping we notice how progressive it’s trying to be, but also not really, while emphasizing the wrong things along the way. The result, while enjoyable, shows a fundamental lack of trust and understanding in material that they would see already does the work for them, if they just stopped to listen.
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The Gorgeous ‘Cost of Living’ Depicts Disability in Groundbreaking Ways
Last season, Martyna Majok stunned audiences with her gripping portrayal of immigrant life in Sanctuary City; now her earlier play, Cost of Living, which won the Pulitzer Prize for Drama in 2018, is making its Broadway debut–as is the playwright. Last year I extolled her work as “off-Broadway at its best,” and this year I […]
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Loss and Remembrance are at the Heart of the Magnificent ‘Leopoldstadt’
Everything in Leopoldstadt unfolds like a game of cat’s cradle. It’s 1899 and the Merz & Jakobovicz family portrait is one of abundance and contentment. The conversations flow along with whiskey and music, as family members discuss Freud’s latest theories, which Hermann Merz (David Krumholtz) disdains, mathematician Riemann’s still unsolved hypothesis, which Ludwig Jakobovicz (Brandon […]
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