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April 11, 2003

IT’S raining women in the glamour-saturated new production of ”Nine,” Maury Yeston’s 1982 musical portrait of the mind of a movie director. From the moment the first shapely pair of legs are seen insinuating their way down a heaven-scraping spiral staircase in David Leveaux’s hyperelegant revival, ”Nine” is flooded to the drowning point in glossy, exotic images of femininity.

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