‘Oedipus’ blends Greek tragedy and modern political intrigue
Icke’s work is really something: I can’t recall ever previously being as riveted at a Greek tragedy. And my admiration for his show is increased by how Icke manages to stay remarkably true to so much of the original play while turning its dialogue into contemporary speech. This doesn’t read as something based on the Greek original — it feels like the play itself, reenergized with the kind of crackling relevance all too rare on Broadway.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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