A Broadway musical as empty as the mansion it portrays
Much like the ill-fated Tammy Faye from last year, Versailles (directed by Michael Arden) toggles between different modus operandi — in this case, campy comedic sendup, surface level social commentary on income inequality, dark family drama, and French historical farce — and does none of them particularly well. The result often feels like tonal whiplash as the production attempts to scratch several itches without truly satisfying any.
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