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When Violence Meets Forgiveness

A review of Punch by Greg Evans | September 29, 2025

Despite the inherent drama and sadness of the entire situation, Punch too often feels like a PSA for the restorative justice procedure, with lots of exposition and step-by-step procedural instructions that, frankly, don’t really need so much explanation. We’ve all seen similar storylines before, whether on TV crime procedurals or docu-dramas. The outcome will come as no surprise, even less so given that the real-life Jacob, with the full support of James’ parents, has made it his mission to spread the word about the consequences of violence and the ramifications of what, in the UK, is known as “one punch.”

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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