Photo from the show Pink border doodle

Keanu Reeves & Alex Winter’s Existential Adventure

A review of Waiting For Godot by Greg Evans | September 28, 2025

As for the acting, there’s little doubt that Winter is the most natural (and more experienced) stage actor of the two, more versatile and, when necessary, capable to drawing real pathos from this grim, gorgeous work of art. You believe his every changing mood. Reeves, as they say, is Reeves, an exceedingly charming actor who projects more than he acts but always seems to have full control of an audiences’ attention (and affection). Yes, even when he seems to be trying too hard to be stentorian or angry or carrying out a bit of slapstick tantrum, he has us rooting for him.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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