New musical stitches together an uplifting story
For how much the show is about the characters’ status as immigrants or citizens, and how frequently they distinguish themselves from white Americans (from their treatment in society writ large to the justice system more specifically), it’s curious that, particularly in today’s political environment, the show loops back to a relatively unquestioned idea about the meaning, value, and reality of the American dream. It’s like Real Women Have Curves can’t figure out which story to care about more: the one about a teen following her passion, or about the complexity of immigrants trying to make it in an America where their ambitions are sometimes kept out of reach.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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