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A gleefully lurid true story

A review of Dead Outlaw by Gillian Russo | April 27, 2025

Dead Outlaw surely has an implied message about making the most of life and the horror of profiting off a human, even a criminal one, who couldn’t object even if his jaw hadn’t been wired shut. But mostly, it’s as gleefully lurid as the sideshows and wax museums that once seized on the real McCurdy, telling his story with all the bombast of a carnival barker telling morbidly curious crowds to step right up, folks. Dead Outlaw, too, is entertainment for a paying audience, after all.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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