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Dead Outlaw, a Thrillingly Macabre New Broadway Musical

A review of Dead Outlaw by Zachary Stewart | April 27, 2025

An unmistakable sign that musical theater is entering a thrilling new era of unlikely stories told in unexpected ways, Dead Outlaw seems destined to join the ranks of Oklahoma! and Gypsy as a show that strikingly reflects the restless spirit of this country and the breathtaking cruelty it often engenders. Elmer McCurdy is dead, but the American musical is alive and kicking ass at the Longacre Theatre.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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