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January 23, 2025

Even more so than when it debuted Off Broadway in 2022, and won the Pulitzer Prize in Drama in 2023, it strikes me as a work of uncommon discipline despite its big and occasionally easy laughs.

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January 23, 2025

Toossi, an Iranian American playwright, understands this intimately and delves into the complexities of forging identity across languages in her warm, perceptive new play.

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January 23, 2025

The entire original cast has journeyed with the production to Broadway, and of their performances are sharper and more resonant than ever before under the sensitive and steady direction of Knud Adams.

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January 23, 2025

The cast, without exception, plays every twist, turn, beat and emotion beautifully. If you had to be in a classroom struggling with something that seems always to remain beyond your grasp, you’d be lucky to share space with folks like these. English is a wonder.

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January 23, 2025

“English” very rightfully won the Pulitzer Prize for Drama in 2023, and it’s hands down a masterpiece of theater. Undeniably one of the best plays of the decade, it is both thought-provoking and deeply affecting.

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January 23, 2025

Adams’s staging for Roundabout Theatre Company, beautifully scaled up from its co-production with Atlantic Theater Company, has a graceful and haunted quality.

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January 23, 2025

Now, having won the Pulitzer Prize for Drama, it has migrated to Broadway under the sponsorship of the Roundabout, with its identity entirely intact. Director Knud Adams and his original cast of five re-create the magic of the original production without a stammer, stumble or waver.

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New York Stage Review
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Roma
Torre

January 23, 2025

Playwright Sanaz Toossi won the 2023 Pulitzer Prize for English, a keenly understated work that speaks volumes about the immense impact language has on our culture and identity.

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New York Theater
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Jonathan
Mandell

January 23, 2025

There remains some value in a quiet, contemplative play, even one with some loose threads. “English” goes inward, and there can be beauty in that.

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New York Theatre Guide
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Allison
Considine

January 23, 2025

Under the direction of Knud Adams, the characters seamlessly transition between fast-paced and slower, more deliberate dialogue. These shifts are a beautiful theatrical device that mirrors the characters’ transition from their native Farsi to navigating a new language — while adhering to the “English Only” rule to benefit the audience.

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