Photo from the show Pink border doodle

Nicole Scherzinger plays screen icon Norma Desmond in a bold noir revival of the Andrew Lloyd Webber musical.

A review of Sunset Boulevard by Adam Feldman | October 20, 2024

Part of what makes this revival so absorbing is that you don’t always know where to look—at the actor on stage or the same actor live on screen. The giant images tug at your eye; you sometimes can’t help choosing them over the small, real person who is actually there. In this revival, itself a kind of re-production, that doesn’t feel like a gimmick or a trick. It’s a new way to see an old dream.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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