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Cole Escola’s OH, MARY! On Broadway Is a Stupid Masterpiece — Review

A review of OH, MARY! by Nolan Boggess | July 11, 2024

The show is also a piece of history. While transferring a peculiar Off-Broadway jewel to a commercial run is not unusual, Oh, Mary! does stand apart from its peers on Broadway. When our Chief Critic Juan A. Ramirez reviewed the show Off-Broadway, he said, if he were inclined to look for a deeper meaning in Oh, Mary!, “it is a rebuttal against the legitimacy, good taste, and ‘straightness’ (if you can believe it) of most self-serious art.” If I were inclined to look further, and verge on sentimentality (yuck), the fact that this piece of radically queer comedy has become the buzziest show of the season is a hopeful sign of work to come.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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