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‘Patriots’ Review: On Broadway, Tracking Putin’s Ascent

A review of Patriots by Charles Isherwood | April 22, 2024

In fact Mr. Morgan’s engrossing play, now on Broadway after an acclaimed London run, depicts the rise of Boris Berezovsky, one of the Russian oligarchs who amassed vast wealth, often by shady means, during the tumultuous years after the fall of the Soviet Union. He is portrayed by the fine actor Michael Stuhlbarg, who gives a performance of unflagging energy and febrile intensity; in the play’s denser passages, one almost worries that he will begin hyperventilating, so caught up is he in Berezovsky’s fervent ambitions.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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