Photo from the show Pink border doodle

Broadway Review: ‘Monty Python’s Spamalot’ Is Back—Deliciously Silly, Slightly Dated

A review of Spamalot by Tim Teeman | November 16, 2023

Spamalot, first seen on Broadway in 2005, is back—and the good news is the really good silly bits of this parody of Arthurian legend are just as good-silly as they always were. But the bits that felt dated have only become more dated; one a song about Jews running Broadway at this moment sounds not just dated but also weird in this politically vexed moment (especially with a huge, glittering Star of David), the other is a rousing hymn to gay pride for Sir Lancelot (Taran Killam), which is discordantly beamed in from another era.

Keep Reading

Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

Read More

Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

Read More