Review | ‘Merrily’ Broadway revival is a triumph
The production, which has received a few significant visual and musical upgrades since its Off-Broadway debut, is probably the most convincing, coherent, and compelling rendition of “Merrily” to date, making it the best candidate for its Broadway return. For the show’s many devoted fans (of which I am certainly one), this production is not just a triumph but a homecoming and a vindication.
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One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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