Review: The devil’s in the details of ‘Grey House’
At times, the psychological slow burn of his new dark comedy moves at a snail’s pace — lethargizing the play’s momentum and stretching entire scenes beyond comprehension — but “Grey House” cracks open in its final moments. And by its end, the play accomplishes what only the best of its genre is able to: It reminds us that the scariest monster of all lives in mankind.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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