Review | Cracks in the round table at ‘Camelot’
And the Tony Award for biggest disappointment (both literally and figuratively) of the theater season goes to Lincoln Center Theater’s highly-anticipated Broadway revival of Lerner & Loewe’s “Camelot,” the beloved but lumbering 1960 musical which, although admittedly in need of a facelift, has not benefited from Aaron Sorkin’s revised book.
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