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Review: ‘1776,’ When All Men, and Only Men, Were Created Equal

A review of 1776 by Jesse Green | October 6, 2022

If that sort of complication were itself great theater and not just a promising premise, this “1776” might be amazing. That the production is instead so overpumped and overplayed as to be hardly comprehensible is the result of a fundamental misunderstanding of the musical, which is plenty complicated as written — if not so much in its few and often trite songs, by Sherman Edwards, then at least in Peter Stone’s book, a masterpiece of condensation without diminishment.

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The Gorgeous ‘Cost of Living’ Depicts Disability in Groundbreaking Ways

Christian Lewis | October 3, 2022

Last season, Martyna Majok stunned audiences with her gripping portrayal of immigrant life in Sanctuary City; now her earlier play, Cost of Living, which won the Pulitzer Prize for Drama in 2018, is making its Broadway debut–as is the playwright. Last year I extolled her work as “off-Broadway at its best,” and this year I […]

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Loss and Remembrance are at the Heart of the Magnificent ‘Leopoldstadt’

Ran Xia | October 2, 2022

Everything in Leopoldstadt unfolds like a game of cat’s cradle. It’s 1899 and the Merz & Jakobovicz family portrait is one of abundance and contentment. The conversations flow along with whiskey and music, as family members discuss Freud’s latest theories, which Hermann Merz (David Krumholtz) disdains, mathematician Riemann’s still unsolved hypothesis, which Ludwig Jakobovicz (Brandon […]

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