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The Bedwetter review – Sarah Silverman musical is a crude but kind success

A review of The Bedwetter by Alexis Soloski | June 7, 2022

As a musical, it is both quiet and loud, crude and kind, diffuse in its structure, but clear in its aims and lucid in its understanding of psychology and growth. And even if the ending doesn’t really end anything, it still feels like completion, like success. For a show of and about so many bad jokes, that’s one hell of a punchline.

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On Then and Now

Ran Xia | May 25, 2022

Robert Icke is a Shakespeare purist, which is not to say that his actors will turn up in codpieces and rosettes, rapping pentameter over an underscore of viol and lute. In fact, it seems that he never bothers with ghosts of the Elizabethan past, but rather, distills the essence of the Bard’s works in the […]

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Who Should be Nominated for the 75th Tony Awards?

Jose Solís | May 5, 2022

With another Broadway season coming to an end, it means Tony Awards season has arrived. Our critic cohort got together to talk about who they hope Tony nominators will remember when they’re filling their ballots.   Technical Category Christian Lewis: Dede Ayite’s work in Costume Design this season was so great! Other people I’m really […]

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