‘The Skin of Our Teeth’ Is Crazy, Deep, and Stars Broadway’s Coolest Dinosaur
We know that patriarchy, greed, and white supremacy have spawned misery across ages; without pretending they have the solution, theater artists can find deep bass strings of commonality to pluck. For me, The Skin of Our Teeth is a boisterous hymn to humanity, the most moving and inspiring work of the season.
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This ‘Funny Girl’ Has Laughs but No Lushness
Before we get to my thoughts on the Beanie Feldstein-led revival of Funny Girl, there are some things I have to confess. I used to love Glee. I loved Lea Michele on Glee. I loved Lea Michele as Rachel Berry as Fanny Brice in a (fictional but prescient) Broadway revival of Funny Girl on Glee. […]
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The “Hangmen” Martin McDonagh Wrote Lack Accountability, but Should the Play Get Away with the Same?
Hangmen, by Martin McDonagh and directed by Matthew Dunster begins on the day the Murder (Abolition of Death Penalty) Act was passed in England in 1965. Harry (David Threlfall), a former hangman who runs a pub in Northern England, is suddenly sought after by the press who want to know his thoughts on the historic […]
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