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Funny Girl

A review of Funny Girl by Adam Feldman | April 24, 2022

The rain clouds gather early over the misplaced-pride parade that is the Broadway revival of Funny Girl. The audience is primed for a boffo old-fashioned musical comedy, which this production promises. Even before the curtain—which itself depicts a curtain!—goes up, the audience claps at the overture’s most famous songs; when Beanie Feldstein makes her first appearance as Ziegfeld Follies comedian Fanny Brice, stares into an invisible mirror and delivers her famous opening self-affirmation (”Hello, gorgeous!”), the crowd goes wild. But then she starts to sing.

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This ‘Funny Girl’ Has Laughs but No Lushness

Christian Lewis | April 24, 2022

Before we get to my thoughts on the Beanie Feldstein-led revival of Funny Girl, there are some things I have to confess. I used to love Glee. I loved Lea Michele on Glee. I loved Lea Michele as Rachel Berry as Fanny Brice in a (fictional but prescient) Broadway revival of Funny Girl on Glee. […]

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The “Hangmen” Martin McDonagh Wrote Lack Accountability, but Should the Play Get Away with the Same?

Bedatri D.Choudhury | April 21, 2022

Hangmen, by Martin McDonagh and directed by Matthew Dunster begins on the day the Murder (Abolition of Death Penalty) Act was passed in England in 1965. Harry (David Threlfall), a former hangman who runs a pub in Northern England, is suddenly sought after by the press who want to know his thoughts on the historic […]

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